Most books are read once. You enjoy them, close the cover, and move on. Some books we read twice. The rare ones do something stranger. They make you mistrust your own memory. You reach the final page and realise that the story you’ve been telling yourself isn’t quite the story you were reading at all….
There’s something melancholy about an empty guest book. I’ll say that much. I found one recently, in a house that had seen better days. It sat on a table in the hall — leather cover gone soft with handling, brass clasp dulled to a tired brown. Someone had put it there on purpose. Someone had…
There is something rather dangerous about Sherlock Holmes. Not the revolver, the disguises, or even the occasional tendency to be spectacularly irritating. It’s the noticing. A footprint that doesn’t quite belong. A thread caught on a sleeve. A word that seems unimportant until, suddenly, it isn’t. Holmes understood something that writers eventually learn too: the…
People often ask why I chose York. York psychological noir works because it offers something few cities can: a beautiful surface with plenty of shadows underneath. It’s a fair question. There are bigger cities, louder ones, places that advertise their drama. York, at first glance, seems almost too perfect – medieval streets, ancient walls, cafés…
The Art of Noticing Some people move through the world looking. Others move through it noticing. The difference is subtle, but it matters. Writers spend much of their lives paying attention to things most people pass without a second glance: a hesitation before an answer, a light left burning in an upstairs window, a footprint…
Most cities eventually surrender themselves to you. Live there long enough and their streets become familiar, their buildings ordinary, their history little more than a collection of dates and plaques. York is different. It has an unsettling habit of reminding you that the past is never quite finished. Walk along the city walls at first…